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portfolio
From commercial productions and music videos to immersive art fabrication installations, our creative team continues creating inspiring artwork, one project at a time.
portfolio
From commercial productions and music videos to immersive art fabrication installations, our creative team continues creating inspiring artwork, one project at a time.
RIDIN' - Jessie reyez ft. lil wayne
Music video for the well known artists. One of our favorite works. Main task was creation of two rooms next to each other. One of them (Wayne's room) had crashed real Ferrari which is made picture look awesome. The entire visual (exept CG) of whole music video was made by or team. From sketches till final result.
RIDIN
PRODUCTION TIME: 10 DAYS
RIDIN
PRODUCTION TIME: 10 DAYS
Music video for the well known artists. One of our favorite works. Main task was creation of two rooms next to each other. One of them (Wayne's room) had crashed real Ferrari which is made picture look awesome. The entire visual (exept CG) of whole music video was made by or team. From sketches till final result.
BEHIND THE SCENES
world of tanks
Our creative team was pivotal in the production design of the US-based commercial film for the 2023 Christmas campaign of the computer game "World of Tanks" by Wargaming. In the leading roles, two A-list Hollywood stars: Arnold Schwarzenegger and Milla Jovovich. To this day, it's one of the most significant projects undertaken by our production design team.
Given a short deadline of 12 days and the work we had to execute flawlessly, this project was, and still is, a true testament to the quality and efficiency of our work. We built part of a real-sized train and imitated its inside: walls and benches (another group filmed these scenes in Poland), made stones to complement the cave scenery, and designed the cave floor.
Given a short deadline of 12 days and the work we had to execute flawlessly, this project was, and still is, a true testament to the quality and efficiency of our work. We built part of a real-sized train and imitated its inside: walls and benches (another group filmed these scenes in Poland), made stones to complement the cave scenery, and designed the cave floor.
wargaming
PRODUCTION TIME: 12 DAYS
wargaming
PRODUCTION TIME: 12 DAYS
Our creative team was pivotal in the production design of the US-based commercial film for the 2023 Christmas campaign of the computer game "World of Tanks" by Wargaming. In the leading roles, two A-list Hollywood stars: Arnold Schwarzenegger and Milla Jovovich. To this day, it's one of the most significant projects undertaken by our production design team.
Given a short deadline of 12 days and the work we had to execute flawlessly, this project was, and still is, a true testament to the quality and efficiency of our work. We built part of a real-sized train and imitated its inside: walls and benches (another group filmed these scenes in Poland), made stones to complement the cave scenery, and designed the cave floor.
Given a short deadline of 12 days and the work we had to execute flawlessly, this project was, and still is, a true testament to the quality and efficiency of our work. We built part of a real-sized train and imitated its inside: walls and benches (another group filmed these scenes in Poland), made stones to complement the cave scenery, and designed the cave floor.
BEHIND THE SCENES
GOVEE
We completed an exciting project unlike any other we had undertaken before for Govee, the leader in home lighting systems. We had to install comprehensive house lighting, transforming the whole space.
A dedicated team of five worked the entire day to ensure everything was perfect. The most challenging part was putting up the lights on the roof, but we did it very smoothly with Govee's easily adjustable products.
We are thrilled with the result, showcasing our work and the innovative lighting solutions Govee provides.
A dedicated team of five worked the entire day to ensure everything was perfect. The most challenging part was putting up the lights on the roof, but we did it very smoothly with Govee's easily adjustable products.
We are thrilled with the result, showcasing our work and the innovative lighting solutions Govee provides.
OUTDOOR LIGHTS COMMERCIAL
OUTDOOR LIGHTS COMMERCIAL
We completed an exciting project unlike any other we had undertaken before for Govee, the leader in home lighting systems. We had to install comprehensive house lighting, transforming the whole space.
A dedicated team of five worked the entire day to ensure everything was perfect. The most challenging part was putting up the lights on the roof, but we did it very smoothly with Govee's easily adjustable products.
We are thrilled with the result, showcasing our work and the innovative lighting solutions Govee provides.
BEHIND THE SCENES
Machine Gun Kelly
Production design for MGK & Trippie Redd's "Lost Boys" music video. Our primary task was constructing a rock for the artists to perform on. With just four days to realize, we crafted the rock using a combination of wood, foam, and foam filler. We then textured it with tile glue and paint. The final touches included adding dust and sand to enhance its natural appearance. This project is yet another beautiful addition to our portfolio that showcases the diversity of our skills and creativity.
MGK X TRIPPIE REDD
MGK X TRIPPIE REDD
Production design for MGK & Trippie Redd's "Lost Boys" music video. Our primary task was constructing a rock for the artists to perform on. With just four days to realize, we crafted the rock using a combination of wood, foam, and foam filler. We then textured it with tile glue and paint. The final touches included adding dust and sand to enhance its natural appearance. This project is yet another beautiful addition to our portfolio that showcases the diversity of our skills and creativity.
BEHIND THE SCENES
TYLER COLE
Production Design for Tyler Cole's "Good Drugs" was another successful five-day collaboration with Vera Jigalova.
We shot for three days during this time, with the added challenge of producing another music video, "Bad Joke," concurrently. The primary challenge of this project was shooting in the studio, where we set up two distinct locations: a tunnel for the "Bad Joke" video and a milk station for "Good Drugs."
The milk station was constructed using various materials at our disposal, including C-stands, wires, fridge shelves, parts from an old broken washer, and assorted garbage. One fascinating aspect of the project was our collaboration with the makeup artist to create a mechanism for tears made of milk, using thin elastic pipes attached to the artist's head and syringes to propel the milk.
Additionally, we sourced stunning props that perfectly complemented the video's vibe, cast, and color scheme.
We shot for three days during this time, with the added challenge of producing another music video, "Bad Joke," concurrently. The primary challenge of this project was shooting in the studio, where we set up two distinct locations: a tunnel for the "Bad Joke" video and a milk station for "Good Drugs."
The milk station was constructed using various materials at our disposal, including C-stands, wires, fridge shelves, parts from an old broken washer, and assorted garbage. One fascinating aspect of the project was our collaboration with the makeup artist to create a mechanism for tears made of milk, using thin elastic pipes attached to the artist's head and syringes to propel the milk.
Additionally, we sourced stunning props that perfectly complemented the video's vibe, cast, and color scheme.
GOOD DRUGS
PRODUCTION TIME: 5 DAYS
GOOD DRUGS
PRODUCTION TIME: 5 DAYS
Production Design for Tyler Cole's "Good Drugs" was another successful five-day collaboration with Vera Jigalova.
We shot for three days during this time, with the added challenge of producing another music video, "Bad Joke," concurrently. The primary challenge of this project was shooting in the studio, where we set up two distinct locations: a tunnel for the "Bad Joke" video and a milk station for "Good Drugs."
The milk station was constructed using various materials at our disposal, including C-stands, wires, fridge shelves, parts from an old broken washer, and assorted garbage. One fascinating aspect of the project was our collaboration with the makeup artist to create a mechanism for tears made of milk, using thin elastic pipes attached to the artist's head and syringes to propel the milk.
Additionally, we sourced stunning props that perfectly complemented the video's vibe, cast, and color scheme.
We shot for three days during this time, with the added challenge of producing another music video, "Bad Joke," concurrently. The primary challenge of this project was shooting in the studio, where we set up two distinct locations: a tunnel for the "Bad Joke" video and a milk station for "Good Drugs."
The milk station was constructed using various materials at our disposal, including C-stands, wires, fridge shelves, parts from an old broken washer, and assorted garbage. One fascinating aspect of the project was our collaboration with the makeup artist to create a mechanism for tears made of milk, using thin elastic pipes attached to the artist's head and syringes to propel the milk.
Additionally, we sourced stunning props that perfectly complemented the video's vibe, cast, and color scheme.
BEHIND THE SCENES
SAINT LEVANT
Production design for the music video of Saint Levant feat. Mia Khalifa named - Nails. One of our favorite works. It was created under the direction of the super-talented production designer Vera Jigalova. We shot for two days with three days of preparation. We had to set up in various locations.
The first location was a small room at the Million Dollars Theatre in Downtown Los Angeles. Here, we constructed the underground nail salon with a door to the secret nail club and a display that appeared in the video's first shot. The other location consisted of two different stages: the Underground Nail Club and the Carpet Room.
The first location was a small room at the Million Dollars Theatre in Downtown Los Angeles. Here, we constructed the underground nail salon with a door to the secret nail club and a display that appeared in the video's first shot. The other location consisted of two different stages: the Underground Nail Club and the Carpet Room.
NAILS
PRODUCTION TIME: 5 DAYS
NAILS
PRODUCTION TIME: 5 DAYS
Production design for the music video of Saint Levant feat. Mia Khalifa named - Nails. One of our favorite works. It was created under the direction of the super-talented production designer Vera Jigalova. We shot for two days with three days of preparation. We had to set up in various locations.
The first location was a small room at the Million Dollars Theatre in Downtown Los Angeles. Here, we constructed the underground nail salon with a door to the secret nail club and a display that appeared in the video's first shot. The other location consisted of two different stages: the Underground Nail Club and the Carpet Room.
The first location was a small room at the Million Dollars Theatre in Downtown Los Angeles. Here, we constructed the underground nail salon with a door to the secret nail club and a display that appeared in the video's first shot. The other location consisted of two different stages: the Underground Nail Club and the Carpet Room.
BEHIND THE SCENES
CES 2024 Exhibition
CES 2024 Exhibition
blue ant
Art fabrication for the CES 2024 Exhibition in Las Vegas was commissioned by our client, Blue Ant, a company specializing in sound system production. We created 7 unique art pieces, including 4 shelves for the company's products, three fiberglass statues, and 5 display tables. Everything was packed in 9 crates to carefully transport all the pieces to Las Vegas.
We collaborated with HEAVEN Production, an agency that created this unorthodox concept that our team turned into creative 3D props. All elements were crafted from styrofoam and coated with fiberglass, with automotive paint as a final finish.
With an undivided dedication to the production process, our team of nine worked early mornings & late nights for five weeks to ensure the final product was at its highest quality and on time. Blue Ant stand received an enormous amount of attention & amazement at the exhibition, leaving our clients excited about future projects with our production team.
We collaborated with HEAVEN Production, an agency that created this unorthodox concept that our team turned into creative 3D props. All elements were crafted from styrofoam and coated with fiberglass, with automotive paint as a final finish.
With an undivided dedication to the production process, our team of nine worked early mornings & late nights for five weeks to ensure the final product was at its highest quality and on time. Blue Ant stand received an enormous amount of attention & amazement at the exhibition, leaving our clients excited about future projects with our production team.
BEHIND THE SCENES
little big
Production design for a well-known music band named “Little Big.” Great collaboration with our big friend and talented production designer, Vera Jigalova. There was a lot of work, but our main challenge was fabricating a shaped guitar. We spent nearly five days bringing the sketch to life. The body of the guitar was made out of wooden board and foam. Then we covered this with plexiglass and patty and finished it with red paint. Then, we attached it with some parts from a real guitar. That's how we’ve got this masterpiece perfectly fitted to the music video.
lobster popstar
lobster popstar
Production design for a well-known music band named “Little Big.” Great collaboration with our big friend and talented production designer, Vera Jigalova. There was a lot of work, but our main challenge was fabricating a shaped guitar. We spent nearly five days bringing the sketch to life. The body of the guitar was made out of wooden board and foam. Then we covered this with plexiglass and patty and finished it with red paint. Then, we attached it with some parts from a real guitar. That's how we’ve got this masterpiece perfectly fitted to the music video.
BEHIND THE SCENES
poppy
Production design for known rock artists Poppy and Bad Omens. This had to be the fastest prep we'd pulled, as we only had two days to get everything set up. The biggest challenge of this project was that the two prep days happened to be a weekend when most prop houses and supply stores were closed.
However, our passion for art & dedication to the process allowed our team to deliver high-quality artwork ahead of deadlines.
The most challenging part was assembling a terrarium for the artists in the surgical room. We created a wooden frame, covered it with plexiglass, and filled it with natural moss and flowers.
Our creative masters never fail to go the extra mile for a client, so we selected the tools used in surgical practice, breakable glass, and other props to make the product unique and artistic.
However, our passion for art & dedication to the process allowed our team to deliver high-quality artwork ahead of deadlines.
The most challenging part was assembling a terrarium for the artists in the surgical room. We created a wooden frame, covered it with plexiglass, and filled it with natural moss and flowers.
Our creative masters never fail to go the extra mile for a client, so we selected the tools used in surgical practice, breakable glass, and other props to make the product unique and artistic.
V.A.N. BY BAD OMENS x poppy
PRODUCTION TIME: 2 DAYS
V.A.N. BY BAD OMENS x poppy
PRODUCTION TIME: 2 DAYS
Production design for known rock artists Poppy and Bad Omens. This had to be the fastest prep we'd pulled, as we only had two days to get everything set up. The biggest challenge of this project was that the two prep days happened to be a weekend when most prop houses and supply stores were closed.
However, our passion for art & dedication to the process allowed our team to deliver high-quality artwork ahead of deadlines.
The most challenging part was assembling a terrarium for the artists in the surgical room. We created a wooden frame, covered it with plexiglass, and filled it with natural moss and flowers.
Our creative masters never fail to go the extra mile for a client, so we selected the tools used in surgical practice, breakable glass, and other props to make the product unique and artistic.
However, our passion for art & dedication to the process allowed our team to deliver high-quality artwork ahead of deadlines.
The most challenging part was assembling a terrarium for the artists in the surgical room. We created a wooden frame, covered it with plexiglass, and filled it with natural moss and flowers.
Our creative masters never fail to go the extra mile for a client, so we selected the tools used in surgical practice, breakable glass, and other props to make the product unique and artistic.
BEHIND THE SCENES
JACKERY
Our production design team enjoyed working on Jackery’s Christmas commercial, a project that beautifully captured the essence of the holiday season. Although simple in its requirements, this project was an engaging challenge that allowed us to showcase our ability to create a warm and inviting Christmas ambiance.
The commercial shoot lasted two days at a charming winter house on Big Bear Lake. The scenic setting, with snow-covered landscapes and a cozy, rustic cabin, provided the perfect backdrop for a Christmas-themed shoot.
The commercial shoot lasted two days at a charming winter house on Big Bear Lake. The scenic setting, with snow-covered landscapes and a cozy, rustic cabin, provided the perfect backdrop for a Christmas-themed shoot.
CHRISTMAS COMMERCIAL
PRODUCTION TIME: 2 DAYS
CHRISTMAS COMMERCIAL
PRODUCTION TIME: 2 DAYS
Our production design team enjoyed working on Jackery’s Christmas commercial, a project that beautifully captured the essence of the holiday season. Although simple in its requirements, this project was an engaging challenge that allowed us to showcase our ability to create a warm and inviting Christmas ambiance.
The commercial shoot lasted two days at a charming winter house on Big Bear Lake. The scenic setting, with snow-covered landscapes and a cozy, rustic cabin, provided the perfect backdrop for a Christmas-themed shoot.
The commercial shoot lasted two days at a charming winter house on Big Bear Lake. The scenic setting, with snow-covered landscapes and a cozy, rustic cabin, provided the perfect backdrop for a Christmas-themed shoot.
BEHIND THE SCENES
ROSEMARIE
Production design for the rising star, Rosemarie, and her new song, "It Was Real." One of our most challenging tasks was constructing a room with a single opening wall. However, we successfully achieved this feat.
The wall measured 20 feet long and was incredibly heavy. To lower it smoothly, we utilized metal ropes with heavy-duty wheels attached to the ceiling to remove pressure from the main construction. These wheels were fastened to the walls with metal ropes to ensure stability. The lower part of the wall was connected to the room's frame using door hinges.
These manipulations and mechanisms enabled us to open and close the wall smoothly with just one person holding the rope. Projects like these help us expand our experience and apply our skills effectively in the future.
The wall measured 20 feet long and was incredibly heavy. To lower it smoothly, we utilized metal ropes with heavy-duty wheels attached to the ceiling to remove pressure from the main construction. These wheels were fastened to the walls with metal ropes to ensure stability. The lower part of the wall was connected to the room's frame using door hinges.
These manipulations and mechanisms enabled us to open and close the wall smoothly with just one person holding the rope. Projects like these help us expand our experience and apply our skills effectively in the future.
Is It Real? (Official Video)
PRODUCTION TIME: 2 DAYS
Is It Real? (Official Video)
PRODUCTION TIME: 2 DAYS
Production design for the rising star, Rosemarie, and her new song, "It Was Real." One of our most challenging tasks was constructing a room with a single opening wall. However, we successfully achieved this feat.
The wall measured 20 feet long and was incredibly heavy. To lower it smoothly, we utilized metal ropes with heavy-duty wheels attached to the ceiling to remove pressure from the main construction. These wheels were fastened to the walls with metal ropes to ensure stability. The lower part of the wall was connected to the room's frame using door hinges.
These manipulations and mechanisms enabled us to open and close the wall smoothly with just one person holding the rope. Projects like these help us expand our experience and apply our skills effectively in the future.
The wall measured 20 feet long and was incredibly heavy. To lower it smoothly, we utilized metal ropes with heavy-duty wheels attached to the ceiling to remove pressure from the main construction. These wheels were fastened to the walls with metal ropes to ensure stability. The lower part of the wall was connected to the room's frame using door hinges.
These manipulations and mechanisms enabled us to open and close the wall smoothly with just one person holding the rope. Projects like these help us expand our experience and apply our skills effectively in the future.
BEHIND THE SCENES
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Subscribe and be the first to receive updates on our latest projects, behind-the-scenes looks, and innovative design solutions. Stay connected and inspired with insider access to our creative journey.